![]() After a lengthy discussion, the fishmonger threw it in for free. Woo refused to accept it because a maimed crab is bad luck for the New Year. As she was spearing the live crabs from the tank, one of them lost a limb. Jing-mei listened patiently to her mother as she poked the crabs to find the liveliest ones. She was especially bothered by their cat, which Jing-mei and the tenants suspect that she poisoned. That day, her mother was annoyed about the tenants living in the second-floor apartment of a six-unit building that she owns. ![]() ![]() ![]() Jing-mei had helped her mother shop for the crabs that she served at the New Year's dinner. Later, Jing-mei will notice other Chinese wearing similar pendants and will ask one of them what the pendant signifies. After her mother's death, however, the pendant will begin to assume great importance to her - even though she does not really understand the meaning that her mother assigned to it. One message of Tan’s ‘Two Kinds’ is that you cannot force someone to be free: they have to embrace it and define it in their own way, otherwise it is not worthy of being called freedom.After a Chinese New Year's dinner, Jing-mei's mother gave her a jade pendant which she said was her "life's importance." At first, Jing-mei did not like the pendant it seemed too big and ornate. Except, of course, Jing-mei doesn’t want them, because they’re not her ambitions. Instead, she had to live out her own thwarted ambitions through someone who is, now, free to pursue them. Her journey mirrors her mother’s, oddly, in that they have both had to struggle out of situations where they were not allowed to be free, but the difference is that Jing-mei embraces her freedom whereas her mother didn’t know what to do with hers. Jing-mei realises that doing your best and making yourself proud is the key to a happy life: trying to win talent shows or outdo other people (or, worse, other people’s children through your own child) is only going to leave you trapped in a perpetual cycle of goal-chasing and ambition-pursuing.Īnd yet, Amy Tan has Jing-mei point out that the latter was dependent on the former: in order to be fully content as an adult, she had to plead and fight for her own independence while growing up. These are the ‘Two Kinds’ of person she has been: she had to struggle slowly through the years as a pleading child longing for independence and the right to choose what she pursued, but now she has reached adulthood, she is indeed perfectly contented, in a way that her mother never could be. Yet Tan’s title ‘Two Kinds’ does itself have two kinds of meaning: it can also refer to the final section of the story, in which Jing-mei discovers the other piece of music from the talent show, and realises – in a moment laden (perhaps too conveniently) with symbolism – that ‘Pleading Child’ is complemented by ‘Perfectly Contented’. Ironically, her mother has fled a totalitarian state only to set up a petty tyrannical regime in her own home (you can take the girl out of Communism, but …). The story’s title, ‘Two Kinds’, is ostensibly explained by the mother’s comment to her daughter that there are two kinds of daughter: obedient and free-thinking. She wants an opportunity to confront her mother and air her frustration at having to live out her mother’s own fantasies by becoming a child prodigy. It is significant that, after the talent show, Jing-mei is disappointed that her mother doesn’t shout angrily at her when they get home. This becomes obvious when Jing-mei overhears her mother boasting to a friend, Lindo Jong, about her daughter’s natural talent for music, and she realises that her mother is only making her learn the piano so she can brag to other mothers about how talented her daughter is.
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